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research - CHEMICAL WARFARE https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1430065438102-5ENM1YO7NFY1UOO6X9E1/image-asset.jpeg research - CHEMICAL WARFARE https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1430065358777-90SKNLC6ZFB1QCREL66E/image-asset.jpeg research - CHEMICAL WARFARE https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1430065410648-3VS0WE07GAWSQ6HIYOZ0/image-asset.gif research - CHEMICAL WARFARE http://www.impossibleobjectsmarfa.com/steve-roden daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419979167878-5ZJD8A76JXGD9WB5UMHT/Sam%2BSchonzeit%27s%2BBusiness%2BCard.jpg sam schonzeit http://www.impossibleobjectsmarfa.com/steve-roden/2014/12/30/interview-with-sam-schonzeit monthly 0.5 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419977414097-QQ9ZY61B48D7ME7ROR4X/image-asset.jpeg sam schonzeit - INTERVIEW WITH SAM SCHONZEIT 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SCHONZEIT https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419977648705-BULXLU49V0GRXXF5ZUV5/image-asset.jpeg sam schonzeit - INTERVIEW WITH SAM SCHONZEIT https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419977594133-7JE1W1DPUDAHH38QR9LG/image-asset.jpeg sam schonzeit - INTERVIEW WITH SAM SCHONZEIT https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419977384571-5ROFXETNL8ZP8FAIAJ8Y/image-asset.jpeg sam schonzeit - INTERVIEW WITH SAM SCHONZEIT https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419977479347-CJOTW9MINS211OHA000B/image-asset.jpeg sam schonzeit - INTERVIEW WITH SAM SCHONZEIT http://www.impossibleobjectsmarfa.com/new-blog-1 daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419979445033-WJ0WGOTFC85CA93ZHH71/IMG_9564.jpg steve roden http://www.impossibleobjectsmarfa.com/new-blog-1/2014/12/30/interview-with-steven-roden monthly 0.5 2023-09-09 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419978217258-OX1AFEWHUMVB5I7X53ML/image-asset.jpeg steve roden - INTERVIEW WITH STEVEN RODEN fallen/spoken 2000- present an “intuitive translation” of valda dikter by par lagerkvist https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419978161244-2UH8NQ48ATB4CQRRX92B/sunlikerain.jpg steve roden - INTERVIEW WITH STEVEN RODEN http://www.impossibleobjectsmarfa.com/mark-tallowin daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419979531647-L5B9KPB8MWDF34ZLE4XI/EGGS+HEMINGWAY.jpg mark tallowin http://www.impossibleobjectsmarfa.com/mark-tallowin/2014/12/30/interview-with-mark-tallowin monthly 0.5 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419978554764-YJZM9MBZNARRD514UI5A/image-asset.jpeg mark tallowin - INTERVIEW WITH MARK TALLOWIN 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https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976314323-UVCUGEWKWWBAPL2P33GB/image-asset.jpeg (paratactic films) - November 7th, 2014 PF1 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976367522-FD5M5S5592G970K6J0B8/image-asset.jpeg (paratactic films) - November 7th, 2014 PF2 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976393907-H7GB98SG5J4QVJK2SZLS/image-asset.jpeg (paratactic films) - November 7th and 8th, 2014 PF3 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976449213-8JFF2A1VET8AGBX0GQ9A/image-asset.jpeg (paratactic films) - November 8th, 2014 PF4 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976739078-HUYLHRZOT3RRQBHQ2NEO/image-asset.jpeg (paratactic films) - November 9th, 2014 PF5 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976764395-PH634CHY9Z4KJ90R4DTI/image-asset.jpeg (paratactic films) - November 10th, 2014 PF6 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419976820735-V5P60CX915L4P7EC107Y/image-asset.jpeg (paratactic films) - November 10th and 11th, 2014 PF7 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1421161832132-FETLUCDLCVLB36NTGFX2/image-asset.jpeg (paratactic films) - November 16th and 17th, 2014 PF8 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1421161991399-VIPTERTY7HUUU1NCOOE2/image-asset.jpeg (paratactic films) - November 18th, 2014 PF9 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1421162122219-0MI0DCW3JDNJ6ZJ6KG23/image-asset.jpeg (paratactic films) - November 19th, 2014 PF10 http://www.impossibleobjectsmarfa.com/impossible-objects daily 0.75 2022-09-24 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1664027190173-72Z9OV106UXUMS5SRAHI/image-asset.jpeg IMPOSSIBLE OBJECTS 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https://static1.squarespace.com/static/54a2d452e4b0224f5a8d664b/54a33e86e4b0f1bacf7a07e8/5beb8dcd40ec9acd7f89b6ed/1542163917605/ IMPOSSIBLE OBJECTS http://www.impossibleobjectsmarfa.com/longer-writings-i-x daily 0.75 2014-12-31 http://www.impossibleobjectsmarfa.com/fragments daily 0.75 2024-10-23 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1421113036915-U6LJZODWT2SEIHGDU46J/IMG_4380.jpg fragments http://www.impossibleobjectsmarfa.com/fragments/jessye-norman-sings-didos-lament monthly 0.5 2024-10-23 http://www.impossibleobjectsmarfa.com/fragments/communal-luxury-by-kristin-ross monthly 0.5 2022-12-10 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/71cd1b5c-5107-493c-abf6-138a74371325/La+Re%CC%81publique+des+travailleurs+.png fragments - COMMUNAL LUXURY by Kristin Ross - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/e70c6066-6524-4c46-bb77-7d0551c859af/paris-commune-of-1871-demolition-of-the-victory-column-on-place-vendome-may-18-france_u-l-q1pfggs0.jpg fragments - COMMUNAL LUXURY by Kristin Ross - Make it stand out Demolition of the Victory Column on Place Vendome, May 18, 1871. http://www.impossibleobjectsmarfa.com/fragments/o0cn79ho6bnoqf2f65wuxnowoczmwe monthly 0.5 2022-11-20 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/211be22d-c226-448a-9315-44bf7accc321/grafton_1-092222+copy.jpg fragments - Excerpts from Anthony Grafton’s review From Lived Experiences to the Written Word" - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.impossibleobjectsmarfa.com/fragments/the-last-time-i-saw-ron-by-leslie-thornton monthly 0.5 2022-07-24 http://www.impossibleobjectsmarfa.com/fragments/being-here-is-everything-by-marie-darrieussecq monthly 0.5 2022-04-10 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/52fb5f68-7207-4559-a881-08124da00efc/Screen+Shot+2022-01-30+at+3.55.31+PM.png fragments - BEING HERE IS EVERYTHING by MARIE DARRIEUSSECQ - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.impossibleobjectsmarfa.com/fragments/towards-a-poor-theatre-by-jerzy-grotowski monthly 0.5 2022-01-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/51d8e4f5-54e9-47f9-8d7e-c531da9442d4/Screen+Shot+2021-12-20+at+9.16.57+AM.png fragments - TOWARDS A POOR THEATRE by JERZY GROTOWSKI - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/eedecea4-7e49-4267-aed0-9628cae13ba6/IMG_9874.JPG fragments - TOWARDS A POOR THEATRE by JERZY GROTOWSKI - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.impossibleobjectsmarfa.com/fragments/fire-shut-up-in-my-bones-by-terence-blanchard monthly 0.5 2022-01-09 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/12e6a349-b266-4ef2-a8b5-5d50a3de7860/blanchard.jpg fragments - FIRE SHUT UP IN MY BONES by TERENCE BLANCHARD - Make it stand out An opera by Terence Blanchard Based on the Book by ‎Charles M. Blow Libretto by Kasi Lemmons A co-production of the Metropolitan Opera, LA Opera, and Lyric Opera of Chicago Commissioned by the Metropolitan Opera. Originally commissioned by Opera Theatre of Saint Louis, co-commissioned by Jazz St. Louis. http://www.impossibleobjectsmarfa.com/fragments/we-are-all-lichens monthly 0.5 2022-01-09 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/ff9dd900-fe32-45ba-ac23-046997e7f587/we+are+all+lichens.png fragments - WE ARE ALL LICHENS - Make it stand out A recently detected new species of Dictyonema (Hygrophoraceae, Basidiomycota), based on material collected by Mason E. Hale in Panama in 1975. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/7cb366a5-1493-44e6-87ca-10410faf8def/we+are+all+lichens_wearable.png fragments - WE ARE ALL LICHENS - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.impossibleobjectsmarfa.com/fragments/a-portrait-of-ga-a-film-by-margaret-tait monthly 0.5 2021-02-13 http://www.impossibleobjectsmarfa.com/fragments/nation-states-consciousness-and-competition-by-neil-davidson monthly 0.5 2021-02-07 http://www.impossibleobjectsmarfa.com/fragments/now-we-know-by-roger-mais monthly 0.5 2020-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609450155408-W7I1Y46KUL4L5CAG1CK3/mais_now+we+know_1.jpg fragments - "NOW WE KNOW" by ROGER MAIS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609450174267-3JPH7PUOVAVEAEUQBZDS/image-asset.jpeg fragments - "NOW WE KNOW" by ROGER MAIS http://www.impossibleobjectsmarfa.com/fragments/the-purloined-letter monthly 0.5 2020-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609361303325-R5KYRBI8JHBR3HWCIQ9W/purloined+letter.jpg fragments - THE PURLOINED LETTER http://www.impossibleobjectsmarfa.com/fragments/david-hammons-bliz-aard-ball-sale-1983-and-sheep-raffle-2004 monthly 0.5 2020-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609358018101-XGAXL9PP210LZY3500EC/image-asset.jpeg fragments - DAVID HAMMONS ~ Bliz-aard Ball Sale (1983) and Sheep Raffle (2004) David Hammons, "Dak'Art 2004 Sheep Raffle," 2004. Photo: Salah M. Hassan https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609357764002-OWUO3UZMPEAIO4ZO2GTD/image-asset.jpeg fragments - DAVID HAMMONS ~ Bliz-aard Ball Sale (1983) and Sheep Raffle (2004) David Hammons, [Bliz-aard Ball Sale], 1983, Cooper Square, New York. Photograph by Dawoud Bey. Tilton Gallery, New York. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609357901146-VQ5KMXKY3FBDTWO0K9YL/sheep+raffle+1.jpg fragments - DAVID HAMMONS ~ Bliz-aard Ball Sale (1983) and Sheep Raffle (2004) David Hammons, [Dak'Art 2004 Sheep Raffle], 2004. Photo: Salah M. Hassan http://www.impossibleobjectsmarfa.com/fragments/steve-cannon-amp-a-gathering-of-tribes monthly 0.5 2020-12-29 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609263465370-80RTF9KCXOBEXTBQ8SJI/Screen+Shot+2020-12-29+at+11.36.47+AM.png fragments - STEVE CANNON & A GATHERING OF TRIBES Steve Cannon’s hands at A Gathering of the Tribes, a gallery and salon housed in a building he bought in 1980, from which he was evicted nearly a year ago. The wall, a personal gift to him, was painted by the artist David Hammons. Credit: Gaia Squarci https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609263514277-4PY7PCSLOPQ0E9MDHYBO/image-asset.png fragments - STEVE CANNON & A GATHERING OF TRIBES On April 16, 2014, workers removed the last of Mr. Cannon’s belongings — including the wall by Mr. Hammons. Credit: Gaia Squarci http://www.impossibleobjectsmarfa.com/fragments/irma-blank monthly 0.5 2020-12-29 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609257715534-VSEUFFW519P8LHQMRJKI/irma_blank_1.jpg fragments - IRMA BLANK Schreibend suchen, 1976 Indian ink on parchment like paper 23 x 5 x 15.5 cm, 9 1/8 x 2 x 6 1/8 ins (110 pages) © Irma Blank https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1609257788952-L6VQY71QRJXHYZMHAL48/irma_blank_2.jpg fragments - IRMA BLANK Radical Writings, Dal libro totale, 1984 Watercolour on paper 26 pages each bound in form of book: 32.5 x 25 cm, 12 3/4 x 9 7/8 ins each 32.5 x 50 cm, 12 3/4 x 19 3/4 ins open © Irma Blank http://www.impossibleobjectsmarfa.com/fragments/we-make-the-image-in-real-time-a-viewing-log-by-rhea-anastas monthly 0.5 2020-12-23 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1608742742603-AHSL7O2NNTQQAM9XWQ52/look+to+show+up.jpg fragments - We make the image in real time: a viewing log by Rhea Anastas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1608742872570-MKI6NJGJP540QAX48G5I/PPI_Cover.jpg fragments - We make the image in real time: a viewing log by Rhea Anastas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1608750819430-SJJ38VH680VN91ROYB7R/use+discomfort+in+a+sentence.jpg fragments - We make the image in real time: a viewing log by Rhea Anastas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1608740201272-WHOB7JRE8AGV4HNLT5Y7/ppi_announcement_revised.jpg fragments - We make the image in real time: a viewing log by Rhea Anastas http://www.impossibleobjectsmarfa.com/fragments/a-story-from-circolo-della-rosa-a-film-by-alex-martinis-roe monthly 0.5 2020-12-13 http://www.impossibleobjectsmarfa.com/fragments/neither-setter-nor-native-by-mahmood-mamdani monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1607888905028-9B9WO7KTY4AH1HLJ8QA3/neither+settler+nor+native.jpg fragments - NEITHER SETTER NOR NATIVE by Mahmood Mamdani http://www.impossibleobjectsmarfa.com/fragments/art-of-the-real monthly 0.5 2020-12-13 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1607882480086-ANCN8WCKEJZHALJZP71Y/faculties.jpg fragments - ART OF THE REAL https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1607883748107-L581HV1FE19KCQGUZDDZ/art+of+the+real.jpg fragments - ART OF THE REAL http://www.impossibleobjectsmarfa.com/fragments/black-visual-archives-a-conversation monthly 0.5 2020-12-06 http://www.impossibleobjectsmarfa.com/fragments/mimbres-ceramic-art monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599411052648-XJPTDITG1OQMS4JFN9W6/image-asset.jpeg fragments - MIMBRES CERAMIC ART http://www.impossibleobjectsmarfa.com/fragments/barbara-kruger-1978 monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1544313610019-EKM0ISSZF3ZJRHL22ITB/00107+%28BK%29+WEB.jpg fragments - BARBARA KRUGER 1978 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1544313567570-47PA349I52CFP2NUYNEW/00076+%28BK%29+WEB.jpg fragments - BARBARA KRUGER 1978 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1544313598029-OOIH6CRY0OGFI0I49B4X/00103+%28BK%29+WEB.jpg fragments - BARBARA KRUGER 1978 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1544313623046-03X4V7B25I118MWF7433/00139+%28BK%29+WEB.jpg fragments - BARBARA KRUGER 1978 http://www.impossibleobjectsmarfa.com/fragments/ahmed-bouanani monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1543632935866-NHY1PTVVKSZ7YH2MYLBK/Screen+Shot+2018-11-30+at+8.54.15+PM.png fragments - AHMED BOUANANI http://www.impossibleobjectsmarfa.com/fragments/danh-vo-take-my-breath-away monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526851353421-PQMAKWXVDRXA6QH26080/Screen+Shot+2018-04-14+at+7.49.17+PM.png fragments - DANH VO: TAKE MY BREATH AWAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526851431944-7E21QVZESFE00CXU58JW/gen-press-DanhVo-InstallationView.jpg fragments - DANH VO: TAKE MY BREATH AWAY http://www.impossibleobjectsmarfa.com/fragments/the-great-nadar monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526687784572-HCVUIUXS16QGN7DIJ483/tmp_fe32377e8d313f1c18ffea6f107c44e8.gif fragments - THE GREAT NADAR Félix Nadar (1820-1910)Charles Baudelaire in an armchair1855Unique salted paper print from a destroyed negativeH. 28; W. 16.5 cmParis, Musée d'Orsay© Musée d'Orsay, dist. RMN-Grand Palais / Patrice Schmidt https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526687006639-5XE7KNKL1JEGBCWGV1AS/image-asset.jpeg fragments - THE GREAT NADAR https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526686291238-KWQ034X3V0SDFJWDAY6D/DP143857.jpg fragments - THE GREAT NADAR https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526687125189-NEQKGXGY96ESVHVVOWZQ/613513656.jpg fragments - THE GREAT NADAR https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526685748869-TZZAQ34IQHMJ3RFWI3ZY/IMG_0542.JPG fragments - THE GREAT NADAR Felix Nadar and his wife, Ernestine, in a baloon, circa 1865 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526687925296-Q6ERX84WNS1HSGJTZR09/3b19a53eb7ffcdd4eb59d6c0f7c8fd81--lei-french-photographers.jpg fragments - THE GREAT NADAR Ernestine, 1890 http://www.impossibleobjectsmarfa.com/fragments/judean-date-palm monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1526684502051-Q8V0OB2W45ULIBLP1Q11/1_EHW4G1cAXK3RLt7ifICMQw.jpg fragments - JUDEAN DATE PALM http://www.impossibleobjectsmarfa.com/fragments/heterodoxy monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220434944-CZHGL3MRLGSZC38MTATI/shpo-06-19-2008-1.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220435257-6CPMQ8RTXBM4W7FVSZKP/shpo-06-19-2008-2.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220438240-JDBVOBNX7O9S9OY6H8SH/shpo-06-19-2008-3.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220721754-FFW3RSBGKB8FY6K36OK7/ptown-demolition-3_small.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220740897-GPFF443XY0I3YP968XSA/ptown-demolition-1-small.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220740941-Z5NW42GIL3IN0UM14WGK/ptown-demolition-2_small.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220744257-DAOIDU9GDKND85X19QDG/ptown-demolition-3_small.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525220744363-0U9R0H167Y9W5EE2AZS5/ptown-demolition-4small.jpg fragments - HETERODOXY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525217487890-50D7YP75W02X8KY40F4E/IMG_0263.JPG fragments - HETERODOXY Marie Jenney Howe (1870-1934) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525221652590-QH28V0R3F0HSBOAIMSP5/IMG_0264.JPG fragments - HETERODOXY Leta Hollingworth (1886-1939) an American psychologist who conducted pioneering work in the early 20th century. It is generally agreed upon that Hollingworth made significant contributions in three areas: psychology of women; clinical psychology; and educational psychology. She is best known for her work with exceptional children. http://www.impossibleobjectsmarfa.com/fragments/the-ladies-almanack monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1524949749729-V99GJTADQV7NIWQ9C4VL/3406ca6dbb8cbd997596417aa2c8bba8.jpg fragments - THE LADIES ALMANACK Renée Vivien, born Pauline Mary Tarn (11 June 1877 – 18 November 1909), was a British poet who wrote in French, in the style of the Symbolistes and the Parnassiens. A high-profile lesbian in the Paris of the Belle Époque, she was as notable for her lifestyle as for her work, which has received more attention following a recent revival of interest in Sapphic verse. Many of her poems are autobiographical, reflecting a life of extreme hedonism, leading to early death. She was the subject of a pen-portrait by her friend Colette. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1524938443825-LISUMUMZMSZDG2NCYGWM/M3Y42524.jpg fragments - THE LADIES ALMANACK Patchin Place is a gated cul-de-sac located off of 10th Street between Greenwich Avenue and the Avenue of the Americas (Sixth Avenue) in the Greenwich Village neighborhood of Manhattan, New York City. Its ten 3-story[1] brick row houses, said to have been originally built as housing for the Basque staff of the nearby Brevoort House hotel, have been home to several famous writers, including Theodore Dreiser, E. E. Cummings, John Cowper Powys and Djuna Barnes, making it a stop on Greenwich Village walking tours. Today it is a popular location for psychotherapists' offices. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1524950210145-8IQY9MJFR9XT6QVJ91XC/image-asset.jpeg fragments - THE LADIES ALMANACK Radclyffe Hall (12 August 1880 – 7 October 1943) Having reached adulthood without a vocation, she spent much of her twenties pursuing women she eventually lost to marriage. In 1907 at the Bad Homburg spa in Germany, Hall met Mabel Batten, a well-known amateur singer of lieder. Batten (nicknamed "Ladye") was 51 to Hall's 27, and was married with an adult daughter and grandchildren. They fell in love, and after Batten's husband died they set up residence together. Batten gave Hall the nickname John, which she used the rest of her life. In 1915 Hall fell in love with Mabel Batten's cousin Una Troubridge (1887–1963), a sculptor who was the wife of Vice-Admiral Ernest Troubridge, and the mother of a young daughter. Batten died the following year, and in 1917 Radclyffe Hall and Una Troubridge began living together. From 1924 to 1929 they lived at 37 Holland Street, Kensington, London. The relationship would last until Hall's death. In 1934 Hall fell in love with Russian émigrée Evguenia Souline and embarked upon a long-term affair with her, which Troubridge painfully tolerated. She became involved in affairs with other women throughout the years. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1524951579585-FRVR947HOF5OQ8JSDAZN/Natalie_Barney_and_Romaine_Brooks.jpg fragments - THE LADIES ALMANACK Natalie Clifford Barney and Romaine Brooks, ca. 1915, Brooks tolerated Barney's casual affairs well enough to tease her about them, and had a few of her own over the years. She could become jealous when a new love became serious. Usually she simply left town, but at one point she gave Barney an ultimatum to choose between her and Dolly Wilde—relenting once Barney had given in. At the same time, while Brooks was devoted to Barney, she did not want to live with her full-time. She disliked Paris, disdained Barney's friends, and hated the constant socializing on which Barney thrived. She felt most fully herself when alone. To accommodate Brooks's need for solitude, the women built a summer home consisting of two separate wings joined by a dining room, which they called Villa Trait d'Union, the "hyphenated villa". Brooks spent part of each year in Italy or traveling elsewhere in Europe, away from Barney. The relationship lasted for more than 50 years. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1524932457852-0XASVIQ54TZZ9JNWK6CW/Natalie_Clifford_Barney%2C_between_ca._1890_and_ca._1910.jpg fragments - THE LADIES ALMANACK Natalie Clifford Barney (1876-1972) / 60 years of Fridays http://www.impossibleobjectsmarfa.com/fragments/fleur-jaeggy monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1521683149455-I34RURIDVT9VZNYAWFEJ/9780811226875.jpg fragments - FLEUR JAEGGY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1521685071056-5TZA2TA0IZBHL7UWDGSE/image-asset.jpeg fragments - FLEUR JAEGGY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1521683779534-X44L3OQMA11B7GQCY1H4/Geomantic_figures.svg.png fragments - FLEUR JAEGGY http://www.impossibleobjectsmarfa.com/fragments/istanbul-memories-and-the-city monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1521330724152-SDZPAST5CNCG6IX8O8NA/ITH0762.jpg fragments - Istanbul: Memories and the City Köprülü Yalisi http://www.impossibleobjectsmarfa.com/fragments/claude-cahun-suzanne-malherbe monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1521328217616-RMLWPO4YG44X38DP61XF/100891884_135328456417.jpg fragments - CLAUDE CAHUN & SUZANNE MALHERBE Revelations 21:1 Then I saw a new heaven and a new earth; for the first heaven and the first earth had passed away, and the sea was no more. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1521319326430-0KINLHBC0UC6REHWJN0Z/1995.41o.jpg fragments - CLAUDE CAHUN & SUZANNE MALHERBE Claude Cahun, Self Portrait, 1927 http://www.impossibleobjectsmarfa.com/fragments/limners-of-colonial-america monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518975526048-KTWTM35IDYW81P2KGXZN/Screen+Shot+2018-02-18+at+11.37.23+AM.png fragments - Limners of Colonial America Girl in a Pink Dress c. 1790 oil on canvas overall: 101.8 x 72.1 cm (40 1/16 x 28 3/8 in.) framed: 112.7 x 83.2 x 4.2 cm (44 3/8 x 32 3/4 x 1 5/8 in.) Gift of Edgar William and Bernice Chrysler Garbisch 1953.5.24 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518990933580-IJS2IOA699EJGBSJ8Q5V/Screen+Shot+2018-02-18+at+3.50.55+PM.png fragments - Limners of Colonial America Miss Van Alen c.1735 Oil on canvas, 79.2.x 66.4 (31 x 26) Gift of Edgar William and Bernice Chrysler Garbisch THE S I T T E R ' S G R A N D F A T H E R , Lourens Van Alen, bought land in Columbia County, New York (then part of the de Bruyn Patent), in 1707. Two of his six sons residing in the area had daughters who could have been the subject of this portrait. Since neither the date of this painting nor the sitter's age can be determined exactly, it is impossible to identify which family member is depicted. Furthermore, ancestral wills and correspondence mention several family portraits. The Abby Aldrich Rockefeller Folk Art Center owns a nearly identical portrait of a Miss Van Alen (c. 1735, 33^4 x 2.6in.) by The Gansevoort Limner. Previously, the sitters had been identified as twins. This relationship cannot be confirmed, however, and genealogies do not record twins in the Van Alen family until later in the eighteenth century. The Gansevoort Limner's Young Lady with Rose of 1731 (MMA) is also very similar to the two Miss Van Alen portraits. All three paintings exhibit broad, flat brushwork, thinly applied earth-toned colors, plain backgrounds, and an absence of modeling. The three sitters' costumes, poses, hairstyles, jewelry, and roses are almost identical. Thirteen of the eighteen Gansevoort Limner portraits identified by Mary Black in 1969 include a rose, a favorite flower of colonial artists. Miss Van Alen is one of The Gansevoort Limner's simpler compositions. The background lacks the curtain, interior setting, or landscape common in many of his paintings,10 and the sitter's unadorned dress is painted without modeling or drapery folds. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518978158406-F1QL2GO2AHNW8BWT6DBN/image-asset.png fragments - Limners of Colonial America Elizabeth Denison c. 1790 Oil on canvas, 85-4X 67.6 (33s/8 x i65/s) Gift of Edgar William and Bernice Chrysler Garbisch THE PROVENANCE OF THIS PORTRAIT suggests that its subject is Elizabeth Denison (1773-1849), the eldest child of Captain Elisha Denison and Elizabeth Noyes Denison. In 1793 the younger Elizabeth married Nathaniel Ledyard, in whose family the portrait descended. In style and dimensions the painting corresponds to the other five Denison family portraits. This painting and the portrait of Miss Denison (1980.61.18) have the simplest compositions of the group, lacking the detailed landscape background that appears in the other Denison portraits. Elizabeth Denison is seated in a Chippendale chair, identical to the one in the portraits of her parents and sister. Her arm rests on what appears to be a dressing table, draped with fabric that realistically gives way under the weight of her hand. The flowers that adorn her head and bodice are likely made of linen, as described in at least one late eighteenth-century account. Although there is little penetration of character in this portrait, the artist has carefully rendered Elizabeth's facial features and attempted to give them a sense of volume. Her clothing, however, is painted less distinctly with broad, somewhat loose strokes, despite the inclusion of drapery folds and the attempt to show diaphanous material. Anatomical features such as her shoulders, breast, and hands are awkwardly depicted. This portrait, formerly titled Lady with a Plumed Headdress, has been published as a youthful work by Gilbert Stuart. This attribution apparently resulted from the Denison family's confusion between the similar sounding name of Joseph Steward and his more illustrious counterpart. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518978027525-EF93HL2XIBV4L23472EM/Screen+Shot+2018-02-18+at+12.18.30+PM.png fragments - Limners of Colonial America Mrs. Elizabeth Noyes Denison c. 1790 Oil on canvas, 86.7 x 68.7 (34^8 x 17 Vie) Gift of Edgar William and Bernice Chrysler Garbisch PORTRAIT PAINTING FLOURISHED in Connecticut after the Revolution due to the emergence of new roads, towns, and a growing prosperous middle class. As these portraits suggest, sitters were interested in recording for posterity a detailed depiction of their life, possessions, and environment. Captain Denison is shown at his writing table in front of a landscape that probably represents his home and property in Stonington, Connecticut. In contrast, the background landscape in Elizabeth Noyes Denison is imaginary, probably chosen to give the sitter aristocratic status by evoking an eighteenth-century European estate. Captain Elisha Denison was baptized on 3 November 1751 and died in 1841. On 26 April 1771, he married Elizabeth Noyes Denison (1750-1831) of Stonington, Connecticut, one of eight children of James Noyes and Grace Billings. They had four children, whose portraits were also executed by The Denison Limner: Elizabeth, Matilda, Elisha, and Phebe. Elisha Denison may be the captain who commanded a Cornet of Horses for the eighth regiment in May of 1775. One history mentions that Captain Denison was appointed to collect money for the families of officers and soldiers of the Continental Army during the Revolutionary War. In Captain Denison's portrait the artist offers a fresh, straightforward likeness of a self-satisfied, comfortable citizen of the newly independent nation. His wife's tight-lipped, stern expression and direct gaze reveal a strong personality. The painter worked in a controlled, linear manner, carefully filling the canvases with objects and large areas of bright color. As in the other portraits by The Denison Limner, Captain and Mrs. Denison's figures are anatomically awkward, but their faces show a greater degree of naturalism. Although it is not clear how much communication there was among the colonial artists of Connecticut, it is certain that by the last two decades of the eighteenth century many knew each other's work. Similar techniques, compositions, and poses appear in their paintings: The individualized, biographical landscape background seen in Captain Elisha Denison, for instance, was perfected by Ralph Earl (1751-1801) and is found in other Connecticut paintings such as Winthrop Chandler's portrait of Captain Samuel Chandler https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518990719880-DZ1HU71PC6G3H6TQK93U/Screen+Shot+2018-02-18+at+3.49.59+PM.png fragments - Limners of Colonial America Susanna Truax 1730 Oil on bed ticking, 95.9 x 83.8 (37 }/4 x 3i7/s) Gift of Edgar William and Bernice Chrysler Garbisch Inscriptions At upper left: Susanna Truax / Gebooren den 8 1726, Geschilderd, Maart, 1730 ACCORDING TO HER DESCENDANTS, Susanna Truax, the daughter of Abraham Truax and Christina De La Grange of Albany, was born on 7 November 1726 (a day before the birthdate inscribed on her portrait). Her grandfather, Isaac, had settled in Schenectady, a prosperous Dutch settlement, around 1670. Susanna Truax, who never married, died on 4 March 1805. This painting, executed when the sitter was four years old, is one of the most successful works by The Gansevoort Limner. The domestic interior, awkward but lively pose, suggestion of a smile, direct glance, and colorful striped dress and shoes make this an attractive and approachable portrait. Susanna's earth-toned dress is an example of contemporary fashion in the Dutch settlements and is similar to the one worn in The Gansevoort Limner's Miss Veder. The necklace, or a variant, appears in several other portraits by the artist, for example, Miss Van Alen (1956.13.14). A similar interior setting is used in Helena Sleight Janson^ Susanna's spoon appears to contain a lump of sugar which she is about to use with her tea. An eighteenth-century Swedish traveler reported that the Dutch colonists " never put sugar into the cup, but take a small bit of it into their mouths while they drink." Although the portrait is flatly painted with almost no suggestion of volume, typical of this artist's work, the carefully executed lace and diaphanous material in the sleeves and apron attempt to duplicate fabric textures faithfully. Susanna Truax belongs to the tradition of Dutch Patroon portraiture which flourished in the Hudson Valley from around 1700 to 1750. Dutch influence can be seen in the realistic depiction of the everyday setting and in the painting's informality and apparent simplicity. These contrast with the more stilted and courtly portraits derived from the English tradition via prints. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518976662469-3QFVSYKHXFND5NLK75YA/Screen+Shot+2018-02-18+at+11.56.17+AM.png fragments - Limners of Colonial America Captain Elisha Denison c. 1790 Oil on canvas, 86.4 x 68.9 (34 x 2.7 Vs) Gift of Edgar William and Bernice Chrysler Garbisch https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518991113102-JMS6NOS8SVBLWUMY4UD4/Screen+Shot+2018-02-18+at+3.50.15+PM.png fragments - Limners of Colonial America Young Lady with a Fan 1737 Oil on canvas, 96.6x80.7(38 x 31 1/4) Gift of Edgar William and Bernice Chrysler Garbisch THE INSCRIPTION INDICATES that the unidentified young woman in this portrait is nineteen years old. Her delicate linear features, fine hair, stiff pose, and the portrait's muted colors are characteristic of the artist's work. The bright red touches in the bodice of her dress and the roses in the window enliven the otherwise subtle colors. Many of The Gansevoort Limner's female sitters are portrayed in similar costume, not only helping to distinguish the artist's work, but also documenting a type of dress of the period. The sitter appears to be wearing a "silk wrapping gown held at the waist with a decorative belt and buckle. She wears a very fine chemise edged with a narrow band of bobbin lace at the neck and cuffs and a very smart stomacher that is probably decorated with fine silk cords couched in a diaper pattern." The costly fabric, which appears to be silk, would have been imported from Europe or via the Dutch East India Company and her fan would have been specially ordered or brought over as a present. Certain aspects of the young lady's appearance, such as the hairstyle and gold earrings, are clearly Dutch in origin. What appears to be a contemporary Dutch Bible with brass mounts is seen on the table beside the sitter. Although the foreground space is rendered two-dimensionally, the receding row of trees and their shadows creates a sense of distance in the background. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518976126899-JS3BYBOH8J7Z87MCYSGE/Conant+Limner.png fragments - Limners of Colonial America Sophia Burpee Conant c. 1813 oil on canvas overall: 56.2 x 43.2 cm (22 1/8 x 17 in.) framed: 68.6 x 55.2 x 6.9 cm (27 x 21 3/4 x 2 11/16 in.) Gift of Edgar William and Bernice Chrysler Garbisch 1953.5.44 SOPHIA BURPEE WAS A SCHOOLGIRL artist, recognized for a needlework picture and several watercolors of pastoral subjects, as well as two hand firescreens painted with fruit and floral designs. She was the seventh child and third daughter of Revolutionary War veteran Corporal Moses Burpee and Elizabeth Kendall, and was born in the town of Sterling in Worcester County, Massachusetts, in 1788. On 14 November 1813, Sophia was wed to Samuel Conant, Jr. (1780-1824), also of Sterling, whose brother Jacob had married her sister Relief three years earlier. Sophia died less than a year after her marriage, possibly from "typhus," which claimed the lives of Relief and Samuel's sister Polly the same year. The artist who painted this portrait of Sophia also made Samuel's likeness. He is depicted holding a pink rose, a highly unusual motif in male portraiture, which suggests, along with the white roses in Sophia's hair, that their wedding may have occasioned these portraits. At first glance, The Conant Limner's portraits of Sophia, Relief, and four other women seem nearly indistinguishable. All wear the same lace-trimmed, Em pire style peach-colored dress and are identically posed. Upon closer inspection, however, slight differences in facial features become apparent and small variations in jewelry, props, and positioning of the hand emerge. The unidentified young woman whose portrait is also at Sterling, like Sophia, holds a fan, but unlike Sophia, her hand is not raised. This painter's use of a formula in composition and body type from portrait to portrait was a common practice among even the best known itinerants, such as Ammi Phillips (q.v.) and Erastus Salisbury Field (q.v.). It suggests that the artist lacked formal training in portraiture, a suggestion borne out by Sophia Burpee Conant's awkward anatomy and simplified shading. The artist's greatest attention appears to have been devoted to the lace, which is delicately painted with slight impasto. With its saw-toothed border, this lace, along with Sophia's fancy tendriled hairstyle, imparts a decorative aspect to an otherwise plain Massachusetts portrait. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518975470785-RZGUJXL7MEFA85XMR3R7/Screen+Shot+2018-02-18+at+11.37.06+AM.png fragments - Limners of Colonial America Charles Adams Wheeler c. 1790 oil on canvas overall: 107.3 x 76.8 cm (42 1/4 x 30 1/4 in.) framed: 118.7 x 87.9 x 5.4 cm (46 3/4 x 34 5/8 x 2 1/8 in.) Gift of Edgar William and Bernice Chrysler Garbisch 1953.5.57 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518978451963-UE87P7Q72KOTJJDIZ89C/image-asset.png fragments - Limners of Colonial America Miss Denison of Stonington Connecticut (possibly Matilda Denison) c. 1790 Oil on canvas, 87.7 x 68.7 (34 1/2 x 27) Gift of Edgar William and Bernice Chrysler Garbisch ALTHOUGH SHE WAS PREVIOUSLY identified as Phebe Denison, genealogical records and the apparent age of the sitter suggest that this may be a portrait of Matilda, Phebe's older sister. Matilda, the second child of Captain Elisha Denison and Elizabeth Noyes Denison, was born on 5 September 1776 and died on 13 January 1842. In 1796 she married Samuel Hurlbut, a ship chandler, ship owner, and merchant, and the couple had ten children. Matilda's sister Phebe, Captain and Elizabeth Denison's youngest child, was born on 22 April 1781 and died 31 December 1853. She married W J. Robinson, with whom she resided in Morristown, New Jersey. They, too, had ten children. As was common in eighteenth-century portrait painting, the sitter is pictured with her pets, a bird and a squirrel. The long-eared squirrel is, however, a species native to Europe, not America. It is likely that this animal was copied from an eighteenth-century emblem book. One such volume describes the meaning of such a symbol: "A Squirrel taking the Meat out of a Chestnut. Not without Trouble. An Emblem that—Nothing that's worthy having can be obtained without Trouble and Difficulty." Miss Denison appears to have been singled out, among her siblings, for this special reminder of the virtues of patience. While Miss Denison's figure is awkwardly drawn, her expression, with its direct gaze and hint of a smile, along with her intriguing plumed hat make this an attractive example of early American portraiture. The plain background helps to emphasize the decorative composition, concentrating on several sweeping curves, accentuated by the linear style and bright, contrasting colors. http://www.impossibleobjectsmarfa.com/fragments/superstudio monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447503125-0EASQLDH20ISRR2ZQ6GM/03_NY+brains_01.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481147781-Z7G0BW1XZ7KVMPXHD78F/07_continious.JPG fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518480992274-F9CA26KDXHGS9KQ75IPM/04_space.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481193468-MUJW5CAAP3DIZMS0OGXP/08_conical_01.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481381049-8S8ENBUENEZH3I2C2BNB/12_book_02.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447451853-4T2Z1XP7ULIO9BGHE4T4/02_cochlea.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481281654-2BPJU18V67KA1NZNWSW5/10_order.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481100800-FBRCDYRGOJ46VRNPISC2/06_magnicient.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481242536-TIUWAYK6PVZ5KAPL8FX0/09_ville+machie.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447365477-0QJVA9UMMDQMSRIOS4YV/image-asset.jpeg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481005407-RII7FUWGJR0BWLZ6PAWR/04_space_2.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481061505-V0BRIXU28UO27YSOUDWO/image-asset.jpeg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481373649-DTN1SPURA7XDQFBEWXCY/image-asset.jpeg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447374483-OXT842RRTHISQ8Z6UP76/01_2000_2.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447515204-X0EEEGE1MFHMW6XTUMLH/03_NY+brains_02.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447264243-PJE7ZADOW00ALQV4ZMJ7/00.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481051889-ZWNN7U67ON7LHLBXCENK/image-asset.jpeg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481326913-FP2QAL64X8XP88RWQI0B/11_splendid+houses.jpg fragments - Superstudio https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518481210489-GZY278XOJYUDFEXGBGE6/image-asset.jpeg fragments - Superstudio http://www.impossibleobjectsmarfa.com/fragments/in-part-writings-by-julie-ault monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518482762232-6O06QA6SUJF7G1E6GGSZ/ault+book.jpg fragments - IN PART writings by JULIE AULT https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518447648013-UM0QWNOU90FCYGOVZJ0Q/2009_PSU_Ault_960.jpg fragments - IN PART writings by JULIE AULT http://www.impossibleobjectsmarfa.com/fragments/daughters-of-the-dust monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518388990584-7WV1R9IV2SKG0VVXN159/dofd-big.jpg fragments - DAUGHTERS OF THE DUST http://www.impossibleobjectsmarfa.com/fragments/tneg monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518388763486-VMQC8O65KY1OYWV107FB/image-asset.png fragments - TNEG http://www.impossibleobjectsmarfa.com/fragments/kahlil-josephs-wildcat monthly 0.5 2018-02-11 http://www.impossibleobjectsmarfa.com/fragments/otto-prinz monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518235205993-6B7WWVTEAB7AEKH52XA6/d398664aa490dd9e2068a7dc2d263f9e.jpg fragments - Otto Prinz https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518235227387-BG5FO2W95V6BX9YINDFC/376a2fe6747e609534e08025ffa067e1.jpg fragments - Otto Prinz https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518235184313-D022MYA71K0A6RDXYHST/image-asset.jpeg fragments - Otto Prinz http://www.impossibleobjectsmarfa.com/fragments/f-kouw monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518234727952-PXYJ4805ZH7T6HOI0W1P/image-asset.jpeg fragments - F. Kouw https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518234741367-G3GN1KS4R1829EAZBYI7/image-asset.jpeg fragments - F. Kouw https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518234756799-IBULL5PK6224687JWIUE/f724fbbfa332dd0db938b6a6bb641853.jpg fragments - F. Kouw https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518234704273-2FWW5EABVBL572Q56V87/8f6fe4898a3f8b3d784f097b9733af9e.jpg fragments - F. Kouw http://www.impossibleobjectsmarfa.com/fragments/armand-schulthess monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518233951698-W04XGKW0JDZF1HGAKRKB/2e334baf0a10de0cb67adad9e13a0cf6.png fragments - ARMAND SCHULTHESS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518233951738-4SM8YVJ2HGQZ9YAMT4XN/2709b777f28a15b7566dcd9557a91f0d.png fragments - ARMAND SCHULTHESS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518233953704-8LWV0KJLADPKHAB8ADPH/274776dacca90953c126f47cf5cac9a4.jpg fragments - ARMAND SCHULTHESS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518233955495-WAA45J8MUDJNSLQ9GVKT/b6aab5da2eb6f5742f3367d5b4b7c906.png fragments - ARMAND SCHULTHESS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518233959274-BNNZOVEQNO9R7T94A8FM/b8ca72a88a05ac55488fc11b4cb54cf5.png fragments - ARMAND SCHULTHESS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1518233963475-CL0ZCV1A29CRWGJWCUBX/d5f58bb33f97128f636c7df7a3933f62.jpg fragments - 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Robert Watts: A Flux Atlas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517186021674-ZXIMKS1Y3O9GRHRW7TIM/20435048.jpg fragments - Robert Watts: A Flux Atlas http://www.impossibleobjectsmarfa.com/fragments/monte-verit monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184653882-YWT9YQPP3GGEJPDF47GH/storia__0000_Layer-16.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184653990-O2RDRMELWFAH635HHIBQ/storia__0001_Layer-10.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184654342-CBNPYT9XCCY8FHCMV6MH/storia__0002_Layer-15.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184654346-E4GCYAEWKHJ5X9YC6KT7/storia__0003_Layer-22.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184654596-10E5A9FL9C6R21VGLCJG/storia__0004_Layer-14.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184654709-PLP8FMKX7973YCNIOFLF/storia__0005_Layer-14.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184654973-920WJF2KM9DCHFOKNCE5/storia__0006_Layer-21.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184654966-3UM686HXHQN6HQG4EIVL/storia__0007_Layer-20.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184655263-IWU6LORA8SM7SJ2YYB2U/storia__0008_Layer-13.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184655293-DEUPWUNFFBORLXQM3ELZ/storia__0009_Layer-18.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184655482-49PMGH8RRBITFSIBWZER/storia__0010_Layer-23.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184655618-OPLA660F2F5SPJB2H2H9/storia__0011_Layer-11.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184655720-AU9SO8P1OZJBSHLNF4P5/storia__0012_Layer-12.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517184655848-OIL1PYTH4TY8K42N41IJ/storia__0013_Layer-19.jpg fragments - Monte Verità https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1517187808849-7JXLG2F9X8K1L7VRV6L3/tumblr_m62qvxDTP01r70t2xo1_1280.jpg fragments - Monte Verità Harald Szeemann, Monte Verità — installation view at Kunsthaus Zurich, 1978 http://www.impossibleobjectsmarfa.com/fragments/i-m-u-u-r-2 monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516575850348-TJ4YW70CWCZF8S3OIG9Z/wac_12892.jpeg fragments - I M U U R 2 http://www.impossibleobjectsmarfa.com/fragments/martin-wong monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516575467574-PK82IC378BBWIYFYPK5R/martin_wong._voices._1981._acrylic_on_canvas%2C_77_x_52_inches__large.jpg fragments - MARTIN WONG Voices, 1980 Acrylic on canvas, 77 x 52 inches Courtesy of the Estate of Martin Wong and P.P.O.W Gallery, New York https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516575754035-A2BAH9NHM6BJ4H2FV0YV/martin_wong._silence%2C_voices%2C_money%2C_danger%2C_1983._oil_on_canvas%2C_four_panel_painting%2C_18_x_24_inches%2C_each__large.jpg fragments - MARTIN WONG Silence, Voices, Money, Danger, 1983 Oil on canvas, 4 Panels, 18 x 24 inches, each Courtesy of the Estate of Martin Wong and P.P.O.W Gallery, New York http://www.impossibleobjectsmarfa.com/fragments/robert-kinmont monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516564855929-YUGZJN74X8L0CDRS6GGE/IMG_2226-500x500.jpg fragments - ROBERT KINMONT Robert Kinmont, Listen (installation view), 2013. Plywood, paper, metal, photographs, glass, and wire, 96.5 x 145.5 x 26.5 in. Courtesy of the artist and Alexander and Bonin Gallery, New York. (Photo: Wilfred J. Jones) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516564920840-OU8NYL8STIVVXR88WWY4/IMG_2516-500x366.jpg fragments - ROBERT KINMONT Robert Kinmont, 127 Willow Forks (This is Who I Am), 2010. Willow, pine, birch plywood, and maple, 84 x 153 x 45 in. Courtesy of the artist and Alexander and Bonin Gallery, New York. (Photo: Wilfred J. Jones) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516564879600-Q07MH45QEVO4GONBEOLJ/IMG_2263-500x500.jpg fragments - ROBERT KINMONT Robert Kinmont, Trying to understand where I grew up, 1975. 3 color photographs, tape, tape residue, and pencil mounted on Fuji crystal archive paper in 2 parts, 9.25 x 19 in. Courtesy of Alexander and Bonin Gallery, New York. (Photo: Wilfred J. Jones) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516564836760-XNWSHVJ209A9LT2769UN/7_Sit-on-the-floor-500x410.jpg fragments - ROBERT KINMONT Robert Kinmont, Sit on the floor, 1971. Wood and sage, 6.75 x 23.75 x 23.5 in. Courtesy of Alexander and Bonin Gallery, New York. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516564967923-LS3SJQWQ9UBRQKWPA1DY/image-asset.jpeg fragments - ROBERT KINMONT https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516564810032-CR97SK9TGI8VMJKVNFQW/handstand-1-web-500x500.jpg fragments - ROBERT KINMONT Robert Kinmont, 8 Natural Handstands (detail), 1969/2005. 9 silver gelatin prints, each 8 x 8 in. http://www.impossibleobjectsmarfa.com/fragments/danh-vo-hic-svnt-leones monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516563614754-4YB23ZEE1HG45ZA16CLS/scan_vo_01_420.jpg fragments - DANH VO: HIC SVNT LEONES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516563629734-00571EOBTG1B7LJIKQ3V/fototje04.jpg fragments - DANH VO: HIC SVNT LEONES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1516563646503-M3LJ3PKGD0MLORUDC4PP/DV_3_Tombestone_2009-1024x808.jpg fragments - DANH VO: HIC SVNT LEONES http://www.impossibleobjectsmarfa.com/fragments/azikiwe-mohammed-claudia-rankine-on-utopia monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515966889262-1RRQD8GRU5OI22KAB12S/image-asset.jpeg fragments - AZIKIWE MOHAMMED & CLAUDIA RANKINE ON UTOPIA https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515966960498-OG6IIASQJ5EHCFJ3V5NT/JImmsThriftKDC_Install_105web.jpg fragments - AZIKIWE MOHAMMED & CLAUDIA RANKINE ON UTOPIA https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515967295394-UDGVEI35J2EK2W21PQJP/ArmorPhotoStudio_3-_0051-copyweb-360x504.jpg fragments - AZIKIWE MOHAMMED & CLAUDIA RANKINE ON UTOPIA Azikiwe Mohammed, “Haley” (2017), from Armor Photo Studio: House Visits Welcome (image courtesy of Azikiwe Mohammed) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515967231395-B6YLXO6HOG57JBR5TYKI/ArmorPhotoStudioDay2_0014web-720x1008.jpg fragments - AZIKIWE MOHAMMED & CLAUDIA RANKINE ON UTOPIA Azikiwe Mohammed, “Michelle” (2017), from Armor Photo Studio: House Visits Welcome http://www.impossibleobjectsmarfa.com/fragments/reinhard-mucha monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515964262244-MEP35BSKII28PPFM3BZN/11_6b_1117f36b.jpg fragments - REINHARD MUCHA https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515964279893-5EENX6SSDQ7SQDEO9RFT/11_82v7050_3a4cfe75.jpg fragments - REINHARD MUCHA http://www.impossibleobjectsmarfa.com/fragments/bernadette-mayer-memory monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882005376-WTR3IW5854AK43PBAZDW/BMayer_Memory_07_01_06.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882006271-EDU9TTO988HHDENCQ3R5/BMayer_Memory_07_01_09.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882006610-5ZU9HN1VT7UF4LGKP1M8/BMayer_Memory_07_02_01.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882008349-3941UOEMRN22D1ZCOMJR/BMayer_Memory_07_03_14.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882008348-RA8JO6BZIQF3TPR9J5IL/BMayer_Memory_07_04_05.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882010340-39UWJKSOVFFWO89PAM9E/BMayer_Memory_07_04_07.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882010071-KQL7LPGLK89OVHY9F82W/BMayer_Memory_07_04_35.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882011991-1B8TGGTGZ3BNHDF1ARI8/BMayer_Memory_07_05_08.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882011877-DWI253AKAO39RFCTXB6Y/BMayer_Memory_07_05_27.jpg fragments - BERNADETTE MAYER - MEMORY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515882013345-H31V8D0BM96LU7XP6LT7/BMayer_Memory_07_07_13.jpg fragments - BERNADETTE MAYER - MEMORY http://www.impossibleobjectsmarfa.com/fragments/paul-chans-breathers monthly 0.5 2018-01-13 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515880066719-FWSXVEM1XAHIKKWTSWIO/Cofre-web1.jpg fragments - PAUL CHAN'S BREATHERS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515880084304-VIU38CKOT77AHL05LPE7/Cofre-web2.jpg fragments - PAUL CHAN'S BREATHERS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515880130652-MM1GZWJWNWAKQSL3HG5M/a6d1dcc3b1a79bac68e2418caf47ede8.jpg fragments - PAUL CHAN'S BREATHERS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515880117594-CR9JI1SW14A78LWLIEMQ/Laddaga_Chan_BaigneursSansRien.jpg fragments - PAUL CHAN'S BREATHERS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515880100956-KC62FR75ONODYKCY3261/Rhi+Anima_Press+Release-page-001.jpg fragments - PAUL CHAN'S BREATHERS http://www.impossibleobjectsmarfa.com/fragments/stanley-brouwn monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877034960-JIST8IHS8LOV6K0VC2X5/brown1-page-005.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877202967-MUGCJHWFIKMDUZV1S4MF/brown1-page-007.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515876896268-X3AKGMQ64PUB1WBNUSYL/brown1-page-001.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515876925205-L6PSJUAXN719J13FMXGV/brown1-page-002.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877307170-ZYNVTCVGKJKQIO3CIQR1/brown1-page-010.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515876971949-8WL05CRHTFU0IK2VMP9P/brown1-page-004.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877159028-5N1HTYF9LYFIITPSONGT/brown1-page-006.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877238246-G2NBBFGC1FBV6I4BFPIN/brown1-page-008.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877002162-1MQULKNDXEUU63N68Q0N/brown1-page-003.jpg fragments - STANLEY BROUWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515877286646-EYWY8CGFL830V6ZZHSWJ/brown1-page-009.jpg fragments - STANLEY BROUWN http://www.impossibleobjectsmarfa.com/fragments/art-criticism-essay-suggested-guidelines-adrian-piper monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515874907768-QRI9STAXLB3HWIRKYBCF/Piper2016ArtCriticismSuggestedGuidelines-page-002.jpg fragments - Art Criticism Essay Suggested Guidelines / Adrian Piper https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1515874889052-CQBHC8ZQQD1PXOPBB6F2/Piper2016ArtCriticismSuggestedGuidelines-page-001.jpg fragments - Art Criticism Essay Suggested Guidelines / Adrian Piper http://www.impossibleobjectsmarfa.com/fragments/liliana-porter monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1483917178076-ECLA3O63KCYITJ9ZSK5P/image-asset.jpeg fragments - LILIANA PORTER Untitled (Self-Portrait with Square), 1973 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1483919463978-8AFY1ZCBYIY2A7LOHQZ6/image-asset.jpeg fragments - LILIANA PORTER WTF? https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1483916258798-H7V36M5QQF4Q3ZUTPRD7/image-asset.jpeg fragments - LILIANA PORTER Wrinkle, 1968 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1483918599060-XLJQQB85AHI23X4U8R8B/image-asset.jpeg fragments - LILIANA PORTER Marta Minujin, The Transformation of the Statue of Liberty into Something Edible, 1980 http://www.impossibleobjectsmarfa.com/fragments/movies-cars monthly 0.5 2020-12-04 http://www.impossibleobjectsmarfa.com/fragments/early-greek-philosophy monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1474461430730-RG1SN8FSQLUBXMWY74T6/image-asset.png fragments - EARLY GREEK PHILOSOPHY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1474746242077-SKMI51T895N89RK1TSBP/image-asset.png fragments - EARLY GREEK PHILOSOPHY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1474335930958-48324B7I20MM8K4QHP5B/image-asset.gif fragments - EARLY GREEK PHILOSOPHY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1474746769361-LOMWJCU4KVTLL4CYWQKX/image-asset.png fragments - EARLY GREEK PHILOSOPHY http://www.impossibleobjectsmarfa.com/fragments/the-two-horned-god-of-the-templo-mayor monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471205488550-OCNNTCOCAMRIE1Q8WBBX/image-asset.png fragments - THE TWO-HORNED GOD OF THE TEMPLO MAYOR (left). Two-Horned God sculpture from Offering 1, Templo Mayor. After Garcia Cook 1978: 24. Figure 4 (right). Two-Horned God sculpture from Offering 11, Templo Mayor. After Association Francaise d'Action Artistique 1981: 66. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471201660144-UT7NYGSTDJ7HHTJGF75S/image-asset.jpeg fragments - THE TWO-HORNED GOD OF THE TEMPLO MAYOR https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471209589658-4GTMRUXHZKO64AM9DFZ6/image-asset.jpeg fragments - THE TWO-HORNED GOD OF THE TEMPLO MAYOR The Templo Mayor at Tenochtitlan, from 'Historia de Nueva Espana', 1770 (engraving) http://www.impossibleobjectsmarfa.com/fragments/liubov-popova monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471196953023-C79DX1DAQMNSW5DDJVJR/image-asset.jpeg fragments - LIUBOV POPOVA Painterly Architectonics (detail), 1918, oil on canvas, 22 7/8 x 22 1/8 inches, Costakis Collection, Athens. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471196738696-U6QMWTZOGOCIJK5KFZH3/image-asset.jpeg fragments - LIUBOV POPOVA Plate from 6 Prints (detail), 1917, color linocut, 13 3/4 x 10 1/4 inches. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471196394183-BEBJUCRD3HQ0GMRXAQRN/image-asset.jpeg fragments - LIUBOV POPOVA Ivanovskoe, Bridge (detail), 1908, oil on canvas, 19 1/8 x 15 1/8 inches. Private Collection, Moscow. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471196878537-2SXMPF1C5X9X42Y6JYCQ/image-asset.jpeg fragments - LIUBOV POPOVA Plate from 6 Prints (detail), 1917, color linocut, 13 3/4 x 10 1/4 inches. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471196491648-6PQJYV92DYT984FB6LUB/image-asset.jpeg fragments - LIUBOV POPOVA Landscape with Female Figures (detail), 1908, oil on canvas, 13 6/8 x 17 1/8 inches. Private Collection, Moscow. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471196577360-LPRDDAWS85JBVLMOFK05/image-asset.jpeg fragments - LIUBOV POPOVA Cover design for 6 Prints, 1917, color linocut, 13 x 8 7/8 inches. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1471197042744-MWQL9J65G0UOFOPBGI01/image-asset.jpeg fragments - LIUBOV POPOVA Spatial Force Construction (detail), 1921, oil and metal dust on plywood, 27 1/2 x 20 1/4, Tretiakov Gallery. http://www.impossibleobjectsmarfa.com/fragments/vao-concepts monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1467503170715-WXU7B80WOYYEZKB22M9S/image-asset.png fragments - VAO CONCEPTS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1467503128094-78QZCGXA63P2KZYCKYGH/image-asset.jpeg fragments - VAO CONCEPTS http://www.impossibleobjectsmarfa.com/fragments/inactivity monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443987969517-K21X5FIR99I4DUS2WPNQ/image-asset.jpeg fragments - INACTIVITY The mosaic in the arch of Sixtus iii in Santa Maria Maggiore in Rome (fifth century) depicts an empty throne en‑ crusted with multicoloured stones on which rest a cushion and a cross; beside the throne can be glimpsed a lion, an eagle, a winged human figure, fragments of wings and a crown. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443987958285-64WEK5CB0MSCE7U9TRRS/image-asset.jpeg fragments - INACTIVITY The majesty of the empty throne. Funerary relief with a sella curulis. Marble, Roman artwork, 50 BC–50 AD. From the Torre Gaia on the Via Casilina, Rome. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443988120895-0ZFPTZEBJNRQ22SRY4DK/image-asset.jpeg fragments - INACTIVITY Throne of Preparation, part of a Fresco of the Last Judgment (1300's, Serbia) http://www.impossibleobjectsmarfa.com/fragments/ancient-arts-of-the-indes monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443883690897-A8XAWZB4FVOGU41223CE/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Double vessel, Mochica. Clay, 6 3/4". If this vessel is dipped when filled with liquid, it emits a mournful sound, which accounts for the open mouth of the figure. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1444771339506-1HE9FII3HXQEMKWLBZ2K/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Fragement of a face. Coast Tiahuanaco. Clay, 3 3/8" high. Part of a large jar showing a realistic face covered with polychrome geometric designs. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443882874258-UH9UAZSR42432HBENC74/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Huaca del Sol. Northern Coast of Peru. Located at the center of the Moche capital city, the temple appears to have been used for ritual, ceremonial activities and as a royal residence and burial chambers. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443884641735-XBKJE9AMJRCVDB57UVIW/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Cross-section of a mummy bundle. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1445819098611-R3LZ4I47ZDX9UH9A3R7V/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1445819388612-YBOVPKOPMW3O9WD6FUSO/IMG_0819.JPG fragments - ANCIENT ARTS OF THE ANDES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1444771429649-AHMVYTZKLC49KU9HM8KM/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Bowl in the shape of a skull. Coast Tiahuanaco. Clay, 4 1/4" high. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1445472651477-DVHFRXB891KFNYA5QXBB/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1444770166953-JCGNJ0T8MLC0R7TXJYN0/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Monolithic doorway "Gate of the Sun" at Tiahuanaco, Bolivia https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1445819190839-SV8EHHC2CXDMTRW82P73/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1444770668417-8MURNMSKBNIAEYJMA20G/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Sculptures. Tiahuanaco, Bolivia. Stone. These sculptures show a realism unusual in the Tiahuanaco style. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1445472675942-L2XORA2O0PB79Z0TXD4S/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443884588923-VAWL9YBXZH3PXQ8RNJDJ/Tello-with-Paracas-mummy.jpg fragments - ANCIENT ARTS OF THE ANDES Julio C. Tello with a mummy bundle. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443882709271-5AV16CA1ZU6B9B4XR9BL/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Stirrup-sprout jar, representing a battle between magic bean warriors. Mochica. Clay, 10 3/16'' high. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443883322522-URMTIA1RWNXQ90A6S2DX/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Portrait Jar, Mochica. Clay, 4 1/8" high. A fine example of realistic portraiture typical for the culture and otherwise very rare for pre-Columbian America. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1444771473792-PSKDMX2QYSC8XV10LIYR/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Detail of fragment of poncho in tapestry weave with highly stylized feline design. Coast Tiahuanaco. 19 5/8" wide. Collection: Nelson A. Rockefeller. Photo Nickolas Muray. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443885246511-349Z4FUBBNF5097K29C4/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Detail of embroidered mantle, Paracas Necropolis. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443985395477-YLTD2I25TJ87KJ8P6DR4/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES Aerial view of Nazca Lines intersecting the Pájaro (“Bird”), possibly a representation of a condor, approximately 443 feet (135 metres) in length, near Nazca, Peru. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443985473379-TW8XZKU014TST495D97L/image-asset.jpeg fragments - ANCIENT ARTS OF THE ANDES This aerial photograph was taken by Maria Reiche, one of the first archaeologists to study the lines, in 1953. http://www.impossibleobjectsmarfa.com/fragments/mise-en-abyme-into-the-abyss monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1442689304647-7HFXFAC5XGJUR9ATLO0A/image-asset.jpeg fragments - MISE EN ABYME / INTO THE ABYSS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1442689334931-ZB5XA0OCWHLZVDLF9BXJ/image-asset.jpeg fragments - MISE EN ABYME / INTO THE ABYSS https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1442689318745-GBDGKS1UNLRUEALSFB4B/image-asset.png fragments - MISE EN ABYME / INTO THE ABYSS http://www.impossibleobjectsmarfa.com/fragments/renaissance-rome-1400-1600 monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1442686723112-YISMZ42DE86ZQ2EQ5UBI/image-asset.jpeg fragments - JEAN-LUC MOULÈNE Paysage Culturel Francais, Paris, Spring 1987 - opus 11 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443987780349-LJRIRCB5X0N3D3RG32OD/image-asset.jpeg fragments - JEAN-LUC MOULÈNE The mosaic in the arch of Sixtus iii in Santa Maria Maggiore in Rome (fifth century) depicts an empty throne en‑ crusted with multicoloured stones on which rest a cushion and a cross; beside the throne can be glimpsed a lion, an eagle, a winged human figure, fragments of wings and a crown. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443892026738-UG674DDUJHYA3Z9RIPYM/IMG_0563.jpg fragments - JEAN-LUC MOULÈNE Sample 1 (25 Figure), Paris, 2015, verdigris burnished bronze, 81 x 65 cm https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443892088756-5P7NBO18H3AAZ7P2VWHI/image-asset.jpeg fragments - JEAN-LUC MOULÈNE Hilary Clinton, Paris, 2014, on aluminum, 72 x 58 cm, waxed concrete, 25 x 22 x 28 cm https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443987636401-EBO0TOZDHBR01F346T0B/image-asset.jpeg fragments - JEAN-LUC MOULÈNE The majesty of the empty throne. Funerary relief with a sella curulis. Marble, Roman artwork, 50 BC–50 AD. From the Torre Gaia on the Via Casilina, Rome. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443891719766-TUZP6RJYPRWEPN1ZG6DH/image-asset.jpeg fragments - JEAN-LUC MOULÈNE Janus, Paris, 2014, concrete, wood, iron, 66 x 90 x 48 cm Babu 1er, Paris, 1977, felt-pen on green paper, 16.2 x 16 cm https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443892050163-T4NNPFBQZZR050OI7VKP/image-asset.jpeg fragments - JEAN-LUC MOULÈNE Tronches, Installation view, Villa Medici https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443892138762-5MQV46HY7JC1YXMLGWQG/image-asset.jpeg fragments - JEAN-LUC MOULÈNE Sample (Onyx) 1, Verona, 2015, onyx, 58 cm https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443892113125-LIIX8NJTZX09Y0QFNGCW/image-asset.jpeg fragments - JEAN-LUC MOULÈNE Gnou, Verona, 2015, polystyrene and plaster model, 41 x 41 x 46.5 cm https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1443892069850-9TMQ45QBFJ1BJB9QDSC3/image-asset.jpeg fragments - JEAN-LUC MOULÈNE La Pucelle, Paris, 2013, concrete, 90 x 150 x 76 cm http://www.impossibleobjectsmarfa.com/fragments/durers-hands monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436745276849-MON8HWD23UAD1KNBKCBV/image-asset.gif fragments - DURER'S HANDS http://www.impossibleobjectsmarfa.com/fragments/rackstraw-downs-nature-and-art-are-physical monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1437002417490-7T7HI0UKKKZU6ZF2V2UR/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL John Marin, Brooklyn Bridge, 1912 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436731533031-BLD5LEY88LA46ENZODV3/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL Rubens, Le Chateau de Steen, c. 1636. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1437272200869-CIP5FCVLH2L82GYERF1Z/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL Claude Lorrain, Landscape with Pan and Syrinx, 1656 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436625480276-O7KE225HK8V2NVSA3Z2H/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436642471141-YPR1HUX9CSRZPIGXEB1B/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL Summer Solstice (In Memory of the American Chestnut Tree), 1961-66; watercolor on paper, 54 x 60 inches https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1437324065857-O85BX2YO3EI68IMNOIE7/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL John Constable, Hadleigh Castle, 1814 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436627547067-JW8I1TP5JXD6SHSVGG4E/NW935LastSunandSnow_small.jpg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1437001240831-5VAPII638UOAD5LKFB0B/gm_06612401.jpg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL Masks and music: James Ensor Playing the Harmonium in His Music Studio, July 28, 1933 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436744950495-GO2DCVVMALIRCJFA6BIX/Henri_Rousseau_-_Myself-_Portrait_%E2%80%93_Landscape_-_Google_Art_Project.jpg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL Henri Rousseau, Myself, Portrait-Landscape (1890) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436642044275-PV7AUBL08KGUT8P00URE/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436650175886-HT9320DA5V6G9Z1WSPED/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL The Harvesters, 1565, Pieter Bruegel the Elder (Netherlandish, ca. 1525–1569), Oil on wood https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436731555901-DXT6M4DHNRDFWNZ1OZN3/image-asset.jpeg fragments - RACKSTRAW DOWNES: NATURE AND ART ARE PHYSICAL Constable, The Hay Wain, 1821 http://www.impossibleobjectsmarfa.com/fragments/materials-against-materiality monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1430533877349-YNJLXXPXV2K3UOM6VSQR/image-asset.jpeg fragments - MATERIALS AGAINST MATERIALITY (my stone) 1 May 2015 http://www.impossibleobjectsmarfa.com/fragments/byzantine-things-in-the-world monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1431193921876-5NHM0E4ZQOIT3X19YE15/image-asset.png fragments - BYZANTINE THINGS IN THE WORLD https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1430070415138-PUN02IOWJEFAN8P46U6A/image-asset.jpeg fragments - BYZANTINE THINGS IN THE WORLD Hagia Sophia (537-1453) Istanbul, Turkey https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1431201064830-ZTTWU3EBCTW56T68JHK9/image-asset.jpeg fragments - BYZANTINE THINGS IN THE WORLD https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1431193962221-5O499GRYXVQQ4H76HCKF/image-asset.png fragments - BYZANTINE THINGS IN THE WORLD https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1431193759903-UWEFAO5DYPMUW8L7EU00/image-asset.png fragments - BYZANTINE THINGS IN THE WORLD http://www.impossibleobjectsmarfa.com/fragments/the-birth-of-the-clinic monthly 0.5 2020-12-04 http://www.impossibleobjectsmarfa.com/fragments/chemical-warfare monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1425323947165-P7T0T600ERSE213M9YZ5/image-asset.gif fragments - 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TRISHA BROWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1423177799809-0OC98EKXHEF397MFVQCR/image-asset.jpeg fragments - TRISHA BROWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1423178808498-670AD21E3J7F6OMZPU4W/sonofgonefishin_+Photo+%C2%A9+Jonathan+Atkin+.jpg fragments - TRISHA BROWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1423170320604-M5GJFNFZOH6SAXJKU5B9/image-asset.jpeg fragments - TRISHA BROWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1423169292518-59F5BVBREJ38QR96DKGS/image-asset.jpeg fragments - TRISHA BROWN https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1423173296618-CNMK2PGT4BX5XNEU7P59/image-asset.jpeg fragments - TRISHA BROWN http://www.impossibleobjectsmarfa.com/fragments/cs-peirce monthly 0.5 2020-12-04 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420244083927-O6I8FVEBH7MOHLU2YAK7/image-asset.png fragments - 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https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1425764586447-GLW56NI4X1GPI6KHXZUL/image-asset.png scientia +++ - SCIENTIFIC AMERICAN / MARCH 2015 http://www.impossibleobjectsmarfa.com/scientia/the-web-that-has-no-weaver monthly 0.5 2015-02-20 http://www.impossibleobjectsmarfa.com/scientia/scientific-american-february-2015-1 monthly 0.5 2015-02-17 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1424134703466-3TMNLPY232BNCE9STHC3/image-asset.png scientia +++ - SCIENTIFIC AMERICAN / FEBRUARY 2015 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1424128558672-1LDK4EUJ40CDZDCWO2L2/image-asset.png scientia +++ - SCIENTIFIC AMERICAN / FEBRUARY 2015 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1424040831934-X479GAYRMRU2J4QZI5VU/image-asset.jpeg scientia +++ - SCIENTIFIC AMERICAN / FEBRUARY 2015 SUTONG YANGTZE RIVER BRIDGE (OPENED 2008) 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I know him like the back of my hand I know this painting like the back of my hand I used to know like the back of my hand   https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1424476247462-QHLHL3T6MDZD0MTDYZ71/image-asset.png HANDEDNESS - FEBRUARY 20, 2015 I know this place like the back of my hand And I know him like the back of my hand I know you like the back of my hand Like the back of my hand I know her like the back of my hand As if I didn’t know them like the back of my hand I know this sound like the back of my hand I know this city like the back of my hand I know this town like the back of my hand I know this road like the back of my hand I know now like the back of my hand I know him like the back of my hand I know this painting like the back of my hand I used to know like the back of my hand   http://www.impossibleobjectsmarfa.com/new-index daily 0.75 2015-03-09 http://www.impossibleobjectsmarfa.com/arcana daily 0.75 2016-09-24 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https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012165890-09HXIAVRUU11RSKRDHGW/image-asset.png GLACIAL LAKE AGASSIZ http://www.impossibleobjectsmarfa.com/new-page-5 daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419981221766-UG20N10T8WYR9HS8JUPL/another+order.jpg another order http://www.impossibleobjectsmarfa.com/flower-class-corvettes daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011850113-UP5POVMYDOA8KZAT9BND/image-asset.png Flower Class Corvettes https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011964234-S7VEBIWJ1QTZPT6DZRQ8/image-asset.png Flower Class Corvettes http://www.impossibleobjectsmarfa.com/new-page-57 daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419983842030-LSEC1HTE105EJWVIRPD4/image-asset.png [BEGINNING IN] http://www.impossibleobjectsmarfa.com/new-page-50 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011512795-U3JY75EZTKZ1ZJ79HU48/image-asset.png [ , , , , , , ] Sword Fern https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011443747-VKVFE881NDSPHHRBAN1L/image-asset.png [ , , , , , , ] https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011592837-IQMUYFI6AQOLB6Q5AGFK/image-asset.png [ , , , , , , ] https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011538326-JJ9MRMAVXPVHNNWJNEDZ/image-asset.png [ , , , , , , ] Maindenhair Fern https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420011647684-SO5P943644E9P14WO4VI/image-asset.png [ , , , , , , ] http://www.impossibleobjectsmarfa.com/new-page-2 daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419980709378-9ZR6X0IY2T9A253SK6G5/image-asset.png the eleventh scholarch http://www.impossibleobjectsmarfa.com/new-page daily 0.75 2015-07-11 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436627421840-W7LMBNIWONK6ZBD2EUU6/image-asset.png a particular green http://www.impossibleobjectsmarfa.com/the-doctrine-of-signatures daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419983796212-6A9FAM7N573FTVEJDR54/image-asset.png the doctrine of signatures http://www.impossibleobjectsmarfa.com/other daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419970151645-G4GZTJKHB8XNDW3A41W1/image-asset.jpeg other http://www.impossibleobjectsmarfa.com/new-page-3 daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419980860254-RNA1CV9LLCWOA7HNJHH1/image-asset.jpeg hints on https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419980875845-3D1BOLECWXDHYIH67N32/image-asset.png hints on http://www.impossibleobjectsmarfa.com/new-page-4 daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419981047196-1LYN8OOC7BJTIT9HZAVN/image-asset.png on civilsation http://www.impossibleobjectsmarfa.com/page-on daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419981248027-Z8XHVJTI2RX6RT3NMQ0W/image-asset.png On Nature http://www.impossibleobjectsmarfa.com/cepotaphium daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419981290673-CG3WJV1IZ10YQPGSQPWM/image-asset.png cepotaphium http://www.impossibleobjectsmarfa.com/kingdom daily 0.75 2015-01-01 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420072711298-2WTDGYNZVHVBC8RYWMHK/image-asset.jpeg Kingdom http://www.impossibleobjectsmarfa.com/incorresct-persuasion daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419982119009-BBX8GF8TQU33V0RKFHXF/image-asset.png incorrect persuasion http://www.impossibleobjectsmarfa.com/simply-getting daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419982161908-193ZA0WWQMUVK27PCD5L/image-asset.png simply "getting" http://www.impossibleobjectsmarfa.com/santiago daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419982190571-EMWW7J2NLTXKE9WNBSZ4/image-asset.png Santiago http://www.impossibleobjectsmarfa.com/questions-left-over daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419983688263-Q91931SDQ3BXOZ5E1QTA/image-asset.png questions, left over http://www.impossibleobjectsmarfa.com/the-lodestone-and-peacock daily 0.75 2014-12-30 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419983740425-3LS2S2WFXEJ5V8MOQU0Q/image-asset.png the lodestone and peacock http://www.impossibleobjectsmarfa.com/new-page-1 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009597653-OO7X9LD463R3YUZRY6VO/image-asset.png HK-EP\/CM-CA http://www.impossibleobjectsmarfa.com/new-page-83 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012224944-ZSBOTT3V8M3USYXVH9D5/image-asset.jpeg [ re: Moby Dick – The Thomas W. Lawson – Carl Andre] https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012232422-QABFH475J7PJ9I8C8BPL/image-asset.png [ re: Moby Dick – The Thomas W. Lawson – Carl Andre] http://www.impossibleobjectsmarfa.com/new-page-44 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012331535-0FGJUEEJS3U520545RC2/image-asset.png "EGYPT" http://www.impossibleobjectsmarfa.com/new-page-23 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012502435-HP048AE4VPAYASBLIMZN/image-asset.png CONCERNING IMMORTAL STATEMENTS http://www.impossibleobjectsmarfa.com/4-stoppages-etalon-4-standard-stoppages-2012 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012570600-99ADOE28DJZU5661P7XY/image-asset.png 4 Stoppages Etalon (4 Standard Stoppages), 2012 http://www.impossibleobjectsmarfa.com/meshes-of-the-afternoon daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012774358-3W1LDL7GYXYDDFPV8CC5/image-asset.png [MESHES OF THE AFTERNOON] https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012737799-KMU6NEBNDVH7GPVL2HA5/Meshes2.png [MESHES OF THE AFTERNOON] https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012763169-IVRSP7O2JS35ZT6O4LON/image-asset.png [MESHES OF THE AFTERNOON] https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012727919-GXO3HR1UL09R7GEFDHKK/image-asset.png [MESHES OF THE AFTERNOON] http://www.impossibleobjectsmarfa.com/updown daily 0.75 2015-01-22 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1421963172605-H84ZYGQZYJ73ISK6ZEBT/image-asset.png up/down http://www.impossibleobjectsmarfa.com/get-close daily 0.75 2015-03-15 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1426390062196-JNHODKXND5DEFRN5QMFD/image-asset.png get close http://www.impossibleobjectsmarfa.com/about daily 0.75 2024-10-23 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1419984394032-14RVHJUGEVJ900KSZA34/07angels-hildegard_von_bingen.jpg about http://www.impossibleobjectsmarfa.com/infrathin daily 0.75 2021-09-20 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420008147599-CNGJ6LPMXF3U9KH90B58/image-asset.jpeg How to Isolate the Infrathin Impressions d’Afrique at the Théâtre Antoine in 1912. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420007621856-WQKMRKFIBGSO80QF0PGK/image-asset.jpeg How to Isolate the Infrathin Marcel Duchamp, Flirt (Flirtation), 1907. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420008199769-ONSQX14FLJIS3G7CKAO0/image-asset.jpeg How to Isolate the Infrathin “La Maison roulante de M. Ramond Roussel” (M. Roussel’s motorized caravan), La Revue du Touring Club de France, no. 381, 1926. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420008368014-QMK9CTMA3HQ3L3G7GL11/image-asset.jpeg How to Isolate the Infrathin Many Ray, Tonsure (Marcel Duchamp), 1919. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420007814845-FT3NYIKAOY4RQLIW7KNI/image-asset.jpeg How to Isolate the Infrathin Marcel Duchamp, Fresh Widow, detail, 1920. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420007981213-ISJKSA5V1RX4RN7XV2UA/image-asset.jpeg How to Isolate the Infrathin Man Ray, Rrose Sélavy, 1921. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420008079221-PX4QYC5R1WHSR1LU2HPZ/image-asset.jpeg How to Isolate the Infrathin Serialized publication of the novel Impressions d’Afrique in Le Gaulois du Dimanche, 1909. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420008129440-NNY6RF0E9PG80YWEJENB/image-asset.jpeg How to Isolate the Infrathin Impressions d’Afrique at the Théâtre Antoine in 1912. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420007871902-Q73I8IQPKN26NRDPFRMT/image-asset.jpeg How to Isolate the Infrathin Google Map directions of the Arensberg’s West 67th street apartment and the Ansonia Hotel. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420007893627-IVQB9F1SCSD9HC4FNIAP/image-asset.jpeg How to Isolate the Infrathin The Ansonia Hotel, New York. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420007940002-CLM7TX2WITDATREVS4V6/image-asset.jpeg How to Isolate the Infrathin Marcel Duchamp, Fresh Widow, 1920. http://www.impossibleobjectsmarfa.com/new-page-28 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009341934-P3KRCCSP7HA24EGHK01V/image-asset.jpeg On Knowning & Not https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009184787-PJ43D5NAZE5IZI6JCIFC/image-asset.jpeg On Knowning & Not https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009206780-1L2GN7X4JZJ19C5T9TWJ/image-asset.jpeg On Knowning & Not https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009257250-976GR7MYQ8CSZZ1PJNSZ/image-asset.jpeg On Knowning & Not https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009233734-HU5UHVKLAV1SFI2OPBDR/image-asset.jpeg On Knowning & Not https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420009291108-OMDGWXXU8X9ARFA9QL0C/image-asset.jpeg On Knowning & Not http://www.impossibleobjectsmarfa.com/darget daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420012827579-2QTT54GJJER6K8EXQJEB/image-asset.jpeg DARGET http://www.impossibleobjectsmarfa.com/copying-wittengensteins-remarks daily 0.75 2014-12-31 http://www.impossibleobjectsmarfa.com/spreadsheet-for-carl-andre daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420043708549-4DI5MZKSUNY98PL63X3Z/image-asset.png SPREADSHEET FOR CARL ANDRE http://www.impossibleobjectsmarfa.com/madame-x daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420043812223-KFBXWNM8NNZZLMAWX7DN/image-asset.png MADAME X http://www.impossibleobjectsmarfa.com/rembrandts-brown daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420043879056-GM85GJMMP7XP437Z5MR3/image-asset.png REMBRANDT'S BROWN http://www.impossibleobjectsmarfa.com/underfoot-elsewhere daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044190178-DQI7NU3SVKZUVN6PXHIJ/Fig.1.jpg "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044254504-DV4X7M5UG160QKN1DS3O/image-asset.png "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044291504-C1228Q7M91P6G8AWFKSY/image-asset.png "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044317323-KO4SQKTO7CNXXEDR5QL6/Fig.9.jpg "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044237864-C67M4VLLF1LGXSNILEHG/Fig.4.jpg "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044212007-TQE0PMYT6OEX9PGZEYQE/image-asset.png "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044228536-95NHQS0GTC2P7SIUF4AE/image-asset.png "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044304917-NFDNFQ27DGFS6R3ZWT0V/image-asset.png "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044332230-Z60SH5MEQGB443B3RM57/image-asset.png "UNDERFOOT", "ELSEWHERE" https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420044266825-E9QNNEE5CF197CYZBYMB/image-asset.png "UNDERFOOT", "ELSEWHERE" http://www.impossibleobjectsmarfa.com/the-symbol-of-the-archaic daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045163674-8KY8CS06676IWHZAZP0N/image-asset.jpeg THE SYMBOL OF THE ARCHAIC https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045136745-E6ALC7FGDKDP2KV55S0D/Fig.5.jpg THE SYMBOL OF THE ARCHAIC https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045125598-U6LXD9V7AL7GFHG5SXGR/image-asset.jpeg THE SYMBOL OF THE ARCHAIC https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045115948-SK8MJCONGROVLAH2ETNA/image-asset.jpeg THE SYMBOL OF THE ARCHAIC https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045178007-VJXP68PW0JZE5VV23ZX2/image-asset.png THE SYMBOL OF THE ARCHAIC https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045099679-4BI53BLU127ISLD73RBT/image-asset.png THE SYMBOL OF THE ARCHAIC https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045089281-SG6Q2WUX42Y7UA2O0GSO/image-asset.png THE SYMBOL OF THE ARCHAIC http://www.impossibleobjectsmarfa.com/new-page-82 daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045616584-WGGYLDJ4UTQT3C8PL6IP/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420048597307-UABKEE1C62TJ7LZUN1KN/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045529925-OYZAGBQ8EUQPY52NEGMX/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420048621115-QHIYGO42U4XIW55YYYG8/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045587854-I841RUS7U49D81LMCY70/Fig.2.jpg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420048587815-XZJK2TYC7IYNSTMEQNCL/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420048607458-SQA1PBXBAGO4VBCWU6B1/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420045603763-UFJALIDHBWMOB7I4GCLL/image-asset.jpeg IAN HAMILTON FINLAY https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420048577408-VQNWIRK8HGNUBKRYLNQN/image-asset.png IAN HAMILTON FINLAY http://www.impossibleobjectsmarfa.com/losing-count-and-not-caring daily 0.75 2014-12-31 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046206169-NDD4S2Z0D79FRH3LKHND/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046342980-LFPKWK3FUWULGWS639SH/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046073626-E4IH1JVHTJEVL29JDESV/Fig.1.jpg Losing Count and Not Caring John Taggart, Pyramid Canon (poem sequence). 1973. 24 pp. Letterpress, 3 colors throughout, stapled. 250 numbered copies https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046324656-N7VMNLTUQWM2JM7V4817/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046245788-5PG7HWG5Y6VH6W8FEX2U/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046218878-0ERNFQYYTUPG8Y5PIP5W/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046316317-3VXJO9SF85H157F50AF5/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046189342-WCSJW3WI4G5U55AZUUGF/Fig.3.jpg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046132690-KSB1N5VHIM5FV2HH7J9W/Fig.2.jpg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046289676-BHWRJ8Z0QBUPY7KS1P9S/image-asset.jpeg Losing Count and Not Caring https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420046300744-2ATMC74K1CDLUAPT4TPM/image-asset.jpeg Losing Count and Not Caring http://www.impossibleobjectsmarfa.com/various-small-fires daily 0.75 2014-12-31 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daily 0.75 2015-01-03 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420312567511-GLUGLW0ZCE3701O7M41U/image-asset.png evergreen http://www.impossibleobjectsmarfa.com/capabilities daily 0.75 2015-01-08 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1420675979420-TG57PK70JC92RH02DUFL/image-asset.png CAPABILITIES http://www.impossibleobjectsmarfa.com/new-page-59 daily 0.75 2015-02-03 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1422925736139-78593IJ0VUU9TIIFIWIV/image-asset.png “and I lifted my finger and said to him” https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1422925855122-DKAAW79ZR0TIJSITUVYV/image-asset.png “and I lifted my finger and said to him” http://www.impossibleobjectsmarfa.com/qualified-innatism daily 0.75 2015-02-17 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1424132110779-QDR26KEKBVJP3ZVKXMO9/image-asset.png qualified innatism http://www.impossibleobjectsmarfa.com/i-thought-i-was-crazy-before-i-thought-i-was-sick daily 0.75 2015-03-09 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1425945569243-5DNLAXG2AAFRCM2DLJFV/image-asset.png I thought I was crazy before I thought I was sick https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1425945549620-ZAZFK122RPI9DIISXPUA/image-asset.png I thought I was crazy before I thought I was sick http://www.impossibleobjectsmarfa.com/testing daily 0.75 2015-03-17 http://www.impossibleobjectsmarfa.com/i-cant-decide daily 0.75 2015-05-16 http://www.impossibleobjectsmarfa.com/a-test daily 0.75 2015-05-23 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1432419497463-URYU8ZE9CG4QEE8LOLC1/image-asset.png a test http://www.impossibleobjectsmarfa.com/and-tenderness-is-necessary daily 0.75 2015-07-11 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1436643708569-0EREQ2G24TASGALFZCIA/image-asset.png and tenderness is necessary http://www.impossibleobjectsmarfa.com/carl-andre-1 daily 0.75 2016-03-21 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458590395463-BEX3ZHLL5YS4SKN98MR7/Fig.1_Tate.jpg CARL ANDRE - Fig. 1 Equivalent VIII (1966) https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458590433110-5GYIAGXA3COZE6LDAC5K/Fig.2.Words.jpg CARL ANDRE - Fig. 2 Carl Andre, Words, 1958-1972, The Chinati Foundation, Marfa, Texas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458591590067-SKF5MWZVWC1MZIJRCKIG/Fig.18_Sonnets1.jpg.png CARL ANDRE - Fig. 3 One Hundred Sonnets (1963), part of Words, 1958-1972, The Chinati Foundation, Marfa, Texas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458591589200-BAE1V7FTLDKFDD4ACWCW/Fig.19_Sonnets2.jpg CARL ANDRE - Fig. 4 One Hundred Sonnets (1963), part of Words, 1958-1972, The Chinati Foundation, Marfa, Texas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458591903352-HLB8PFVNC8L3OM3HUS4P/MG9285DJShedsIntDT.jpg CARL ANDRE - Fig. 5 Donald Judd, 100 Works in mill-aluminum (1982-1986), The Chinati Foundation, Marfa, Texas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458591906351-AQ5Z9GTI263W89LJ0XLX/o.jpg CARL ANDRE - Fig. 6 Dan Flavin, Untitled (Marfa Project), 1996, The Chinati Foundation, Marfa, Texas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458591903383-6ML8BA5ASURKF35BGLGV/9330ChinatiIN086.jpg CARL ANDRE - Fig. 7 John Chamberlain, works from 1972-1987, The Chinati Foundation, Marfa, Texas https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1458592551747-HODOOWBS54C4EYMGIGP8/Fig.49_ChinatiThirteener.jpg CARL ANDRE - Fig. 8 Carl Andre, Chinati Thirteener, 2010, The Chinati Foundation, Marfa, Texas http://www.impossibleobjectsmarfa.com/donald-judd-on-thoughtful-building-and-building-well daily 0.75 2017-06-20 http://www.impossibleobjectsmarfa.com/fridays-for-natalie daily 0.75 2018-04-29 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1525027414794-6T6O3M8AFPYKVO26SDAO/Fridays+for+Natalie.jpg fridays for Natalie fridays for Natalie 2018   http://www.impossibleobjectsmarfa.com/breadth-bearing-breath daily 0.75 2020-09-06 https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599409905709-RLXX2FLTH0RQNA3XRMJD/Image14+%28PA13%29.jpg Breadth – Bearing – Breath: Renee Gladman's Prose Architectures Renee Gladman, Prose Architectures 13, ink on paper, 9 x 12 inches, 2013. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599410304818-398C0EO48S273SG9018A/Image23%252B%252528PA28%252529.jpg Breadth – Bearing – Breath: Renee Gladman's Prose Architectures Renee Gladman, Prose Architectures 28, ink on paper, 9 x 12 inches, 2013. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599409945268-GVG4J3F7HTQTBZK5AGO9/Image100+%28PA255%29.jpg Breadth – Bearing – Breath: Renee Gladman's Prose Architectures Renee Gladman, Prose Architectures 255, ink on paper, 9 x 12 inches, 2014. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599410103958-DAPYXJEPFFQF0V6SY526/_212.jpeg Breadth – Bearing – Breath: Renee Gladman's Prose Architectures Renee Gladman, Prose Architectures 212, ink and colored pencil on paper, 9 x 12 inches, 2014. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599409938329-CSXXKMYTFVB1P5LWE9Q6/Image98+%28PA251%29.jpg Breadth – Bearing – Breath: Renee Gladman's Prose Architectures Renee Gladman, Prose Architectures 251, ink on paper, 9 x 12 inches, 2014. https://images.squarespace-cdn.com/content/v1/54a2d452e4b0224f5a8d664b/1599409928463-B5X2SORX0NBAKMXANWXS/Image25+%28PA34%29.jpg Breadth – Bearing – Breath: Renee Gladman's Prose 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