Impossible objects

  • writings : I-XXXVIII
    • fridays for Natalie
    • and tenderness is necessary
    • a particular green
    • a test
    • i can't decide
    • I thought I was crazy before I thought I was sick
    • qualified innatism
    • “and I lifted my finger and said to him”
    • up/down
    • CAPABILITIES
    • evergreen
    • the eleventh scholarch
    • hints on
    • on civilsation
    • another order
    • On Nature
    • cepotaphium
    • Kingdom
    • incorrect persuasion
    • simply "getting"
    • Santiago
    • questions, left over
    • the lodestone and peacock
    • the doctrine of signatures
    • [BEGINNING IN]
    • HK-EP\/CM-CA
    • GLACIAL LAKE AGASSIZ
    • [ re: Moby Dick – The Thomas W. Lawson – Carl Andre]
    • "EGYPT"
    • CONCERNING IMMORTAL STATEMENTS
    • 4 Stoppages Etalon (4 Standard Stoppages), 2012
    • [MESHES OF THE AFTERNOON]
    • DARGET
    • COPYING WITTENGENSTEIN'S REMARKS
    • SPREADSHEET FOR CARL ANDRE
    • MADAME X
    • REMBRANDT'S BROWN
    • "UNDERFOOT", "ELSEWHERE"
    • THE SYMBOL OF THE ARCHAIC
  • longer writings : I-VII
    • Donald Judd: On Thoughtful Building and Building Well
    • Mapping Poetry onto the Visual Arts
    • Isolating the Infrathin
    • On Knowning & Not
    • [ , , , , , , ]
    • Flower Class Corvettes
    • Losing Count and Not Caring
  • projects
    • IAN HAMILTON FINALY
    • VARIOUS SMALL FIRES
    • SMALL PRESSES
  • fragments
    • fragments
    • (arcana)
  • interviews
    • sam schonzeit
    • steve roden
    • mark tallowin
  • about
  • boquillas
  • other
    • fridays for Natalie
    • and tenderness is necessary
    • a particular green
    • a test
    • i can't decide
    • I thought I was crazy before I thought I was sick
    • qualified innatism
    • “and I lifted my finger and said to him”
    • up/down
    • CAPABILITIES
    • evergreen
    • the eleventh scholarch
    • hints on
    • on civilsation
    • another order
    • On Nature
    • cepotaphium
    • Kingdom
    • incorrect persuasion
    • simply "getting"
    • Santiago
    • questions, left over
    • the lodestone and peacock
    • the doctrine of signatures
    • [BEGINNING IN]
    • HK-EP\/CM-CA
    • GLACIAL LAKE AGASSIZ
    • [ re: Moby Dick – The Thomas W. Lawson – Carl Andre]
    • "EGYPT"
    • CONCERNING IMMORTAL STATEMENTS
    • 4 Stoppages Etalon (4 Standard Stoppages), 2012
    • [MESHES OF THE AFTERNOON]
    • DARGET
    • COPYING WITTENGENSTEIN'S REMARKS
    • SPREADSHEET FOR CARL ANDRE
    • MADAME X
    • REMBRANDT'S BROWN
    • "UNDERFOOT", "ELSEWHERE"
    • THE SYMBOL OF THE ARCHAIC
    • Donald Judd: On Thoughtful Building and Building Well
    • Mapping Poetry onto the Visual Arts
    • Isolating the Infrathin
    • On Knowning & Not
    • [ , , , , , , ]
    • Flower Class Corvettes
    • Losing Count and Not Caring
    • IAN HAMILTON FINALY
    • VARIOUS SMALL FIRES
    • SMALL PRESSES
    • fragments
    • (arcana)
    • sam schonzeit
    • steve roden
    • mark tallowin
  • about
  • boquillas
  • other
Fig. 1

Fig. 1

Equivalent VIII  (1966)

Fig. 2

Fig. 2

Carl Andre, Words, 1958-1972, The Chinati Foundation, Marfa, Texas

Fig. 3

Fig. 3

One Hundred Sonnets (1963), part of Words, 1958-1972, The Chinati Foundation, Marfa, Texas

Fig. 4

Fig. 4

One Hundred Sonnets (1963), part of Words, 1958-1972, The Chinati Foundation, Marfa, Texas

Fig. 5

Fig. 5

Donald Judd, 100 Works in mill-aluminum (1982-1986), The Chinati Foundation, Marfa, Texas

Fig. 6

Fig. 6

Dan Flavin, Untitled (Marfa Project), 1996, The Chinati Foundation, Marfa, Texas

Fig. 7

Fig. 7

John Chamberlain, works from 1972-1987, The Chinati Foundation, Marfa, Texas

Fig. 8

Fig. 8

Carl Andre, Chinati Thirteener, 2010, The Chinati Foundation, Marfa, Texas